My Cousin Was A Gangster's Moll!
I've been waiting for quite some time to see Public Enemies, the latest film about the infamous bank robber John Dillinger. He had always been a fascination for me because he was part of our family lore. Why? Because his girlfriend, Evelyn "Billie" Frechette is in our family tree. She and my grandfather, Edward Frechette, were first cousins. I remember first hearing about Dillinger from my grandmother, back in the '70s, when someone called our house looking for background information on Billie. I can't remember if it was for a film or a book, but afterward I noticed that we got numerous phone calls from strangers whenever a Dillinger book or movie was planned. Most times, the family kept pretty silent about her, since giving out information to strangers about dead relatives was considered to be in poor taste. And Billie had been exploited quite enough by the press during her lifetime, so most of the family resolved to let her rest in peace.I never met Evelyn. She died of cancer when I was about four years old. However, my grandmother used to tell me all kinds of stories about my grandfather, who died at the age of 45 from a heart attack (when my mom was only 7 years old). Grandma had remarried, but that marriage was not a happy one, and she was living with us while my dad was stationed overseas. She would wax nostalgic about my grandfather quite often, telling us how we'd be such spoiled kids if he were still around. One of the stories she told me was this:
One day, my grandfather was down in the cellar getting some firewood for the stove. He was still living at home at the time and his father, Billie's uncle, was outside on the porch. When my grandfather opened the cellar doors, there was a gun pointed right in his face. He heard his father say "It's okay, John. That's my boy." The gun was put away and when my grandfather looked at who was holding it -- there stood John Dillinger! He and Billie had stopped at her uncle's place because a) they wanted a safe place to get something to eat and b) most Feds wouldn't follow anyone onto the Reservation.
When Grandma told me this story, I had no idea who John Dillinger was. I just figured he was a bootlegger or something (there were LOADS of bootlegger stories in the town I grew up in). So I had to look him up at the library. (I didn't even think of asking my grandmother -- that's just the kind of kid I was. I always looked stuff up in the library instead of asking questions. Dumb, I know. I could have gotten even more stories!) I've since read quite a bit about him and it is quite a fascinating piece of Americana to sink your teeth into.
So I was a bit disappointed in the Public Enemies movie. All the actors are well cast, but there's something a little "off" about the finished product. Part of it, to me anyway, is that I don't think Michael Mann did a very good job at capturing the zeitgeist of the times. Yeah, he lets you know that America was in the midst of the Great Depression, but he didn't really show just how bad times were then. People were hungry and desperate, and really, really angry with banks, police officers and federal agents. The banks were foreclosing, and the cops and the feds were kicking people out of their homes. Not to mention the head-busting that was going on when workers tried to unionize. Bank robbers like John Dillinger and Charles "Pretty Boy" Floyd became folk heroes because there was something of a Robin Hood quality to them, a way to vicariously give some "payback" to the banks and authority figures who were oppressing the everyman of this country.
The other thing that bothered me was that Mann's handling of the history was a bit whimsical, to say the least. I understand that sometimes you have to sacrifice facts for drama, but in this case I'm not so sure it was justified. Dillinger's true story is exciting and fascinating on its own, as well as the stories of all the other people involved. I don't know why you would need to change it as much as it was in the film. (In the movie, Baby Face Nelson is shot down before Dillinger. That didn't happen. Not to mention the other series of events depicted at the Little Bohemia lodge.) You also don't get any of the real-life drama that went on, like J. Edgar Hoover being really jealous of Melvin Purvis because he was really smart and more experienced in the field and how he eventually destroyed Purvis' career. Or how Billie went on a lecture tour after she got out of prison to talk about her time as Dillinger's girl. (Her lecture was called "Crime Doesn't Pay" and was supposed to hammer home the consequences of breaking the law -- although most people who came to see her didn't care about that part. They wanted to hear about life with Dillinger!)
The film's casting department got the right people to play the parts, though, I have to admit that. Dillinger was known to be witty, charismatic and photogenic. That says Johnny Depp all over it. Melvin Purvis was smart, capable and resourceful. I don't know if that says Christian Bale all over it, but he's a good actor. Marion Cotillard is wonderful depicting a soft-hearted gal who falls for the wrong guy. The locations were terrific. And Baby Face Nelson really was as crazy as he is portrayed in the film. It should have worked, but alas did not. The script needed work to tighten up some of the story and it just overall felt like Michael Mann's heart was not in this.
So here's what I recommend. Get the book Public Enemies and read that instead. You can also read an article about Dillinger at my favorite site (at least it was until it was bought out by TruTV -- but they still have the old articles up at least) The Crime Library. If you want to learn more about Evelyn Frechette, PBS' American Experience has a great article on her. You should also buy Otis Taylor's album Respect the Dead with the song "Ten Million Slaves" which is that awesome song you heard in the trailer and in the movie.
But heck. If you want to fork over ten bucks just to look at Depp and Bale for a couple of hours, I can hardly say I blames ya, ya big lug.





